‘Out of Time is elegiac – heartbreakingly sad, even – but behind the melancholy themes lies a powerful affirmation of life, warmth, and the human spirit.’
‘A beautiful new compositional voice…A pocket soundtrack…perfectly formed.’
‘Lazarev demonstrates a preference for sparse notes that fall like flakes. The space between notes is as important as the notes themselves, begging for reflection and perhaps rumination.’
A Closer Listen
A longingly beautiful mini-album Out of Time by London-based composer Mike Lazarev…Constructed as a soundtrack to an imaginary film, it is his first for the label and a standout work in his own high grade canon.
Opening with swells of strings and plaintive piano chords, lead single “Out of Time” sets a profoundly expressive tone. Each reverberating note is carefully, gently placed on a canvas awash with purity and stillness, finally building into a rushing river of breathtaking prettiness that culminates in a hanging, dead-stop ending. Later on the record, “Time Becomes” progresses like a Harold Budd piece or a Ryuichi Sakamoto soundtrack work, melting away the ice with dulcet chord changes as single string notes float on a rarefied air. “Outerlude” changes the mood again, its subtly Eastern European melodies and natural piano noises – the chatter of keys and shuffle of pedals – transport us to a haunted, deserted ballroom where a lone ghost pianist laments the weight of a tremendous grief.
“The protagonists of this imaginary film are constantly fighting against the fleeting moments on this plane. But it is less about death than it is about living. And most of all, it is all about time,” Lazarev writes. He is right: Out of Time is elegiac – heartbreakingly sad, even – but behind the melancholy themes lies a powerful affirmation of life, warmth, and the human spirit.
Released on 26 October 2021.
Mastering by Taylor Deupree at 12k.
Cover art by Marijah Bac Cam.
Design by Özge Cöne.
Art direction by Siné Buyuka.